Project Management in Urban Design

Basics

Intro

Teaser: Basics
Theoretical-conceptual basics

Modes of Play

Coming into Play

Motive
Mobilising the brief
Lists
Processing Contingency
Coming into Play
Moving Fences

Play?

State of the art in research

How to Play

Preliminary Practice
Refining the Question
Intervene

Play

Doing

Baseline Survey
Organizing Agencies
Mini Golf

Reflecting

Importing Knowledge
Reflecting
Project Management

Recording

Making Videos
Notations

Displaying

Research Wall
Closing Ceremony

Understanding the Play

Moving beyond the question
Propositions in archives
A matter of re-assembling
Reflective Review: Begegnen

Project Closure

Project Closure

Repository

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Category: conception (15×) description (8×) manual (4×) reference (5×) synthesis (3×)
Contributors: Alexander Römer (2×) Andreas Meichner (1×) Anna Richter (3×) Anna-Sophie Seum (4×) Annika Bauer (3×) Atena Mahjoub (1×) Bernd Kniess (5×) Christopher Dell (4×) Diana Schäffer (4×) Dominique Peck (19×) Flora Fessler (2×) Franziska Dehm (1×) Johannes Schöckle (4×) Juliane Bötel (3×) Kirsten Plöhn (2×) Lena Enne (5×) Maja Momic (1×) Mareike Oberheim (4×) Marian Rudhart (3×) Marie Therese Jakoubek (1×) Marius Töpfer (1×) Milena Stoldt (1×) Negin Jahangiri (4×) Nina Manz (1×) Olena Pudova (3×) Pascal Scheffer (1×) Rebecca Wall (2×) Ronja Scholz (4×) Tomma Groth (1×) Yohanna Bund (1×)
Keywords: "Projects" (5×) action (1×) Communication (1×) Design (3×) Dokumentation (7×) Expertinnen des Alltags (1×) matters of form (3×) medium (4×) Minimal Structure (1×) notation (3×) planning (2×) problematisation (1×) Rothenburgsort (1×) stadtteilöffentlich (1×) Uncertainty (1×)

Dominique Peck has joined the Research and Teaching Programme Urban Design’s academic staff at HafenCity University in 2015. Being a UD alumni, his work has a focus on project management, design development and transposing formats in research, teaching and practice. Dominique was co-project managing the live project Building a Proposition for Future Activities and is now focused on his PhD Project Re-positioning Project Management in Urban Design.

Bernd Kniess is an architect and urban planner. Since 2008 he is Professor for Urban Design at HafenCity Universität Hamburg where he established the Master Programme Urban Design. He is interested in the negotiation of the contemporary city, whose planning principles he aims to diagrammatically describe and transfer into a relational practice as procedure.

Public space is where public life unfolds!
Stadtteilbeirat Rothenburgsort
Issues
The evening before
Exposé
Unbuilding
The Community of Deconstruction
From disciplines to disciplining
Learning from Las Vegas
Everyday Urbanism
Urban Design
Administered World
Open Form
Project Archaeology
Facilitate Uncertainty
Rules of Play
Workshop: Infrastructure
Cooperative Review Process
Project Days
Planänderung
Mediators
Conception
Interviews
Coproduction
Reflective Review
Performance
Talking Billebogen Atlas
Talking Stadteingang Elbbrücken
21. Situationen Rothenburgsort
Annäherungen an was?
Tod dem Projekt! Lang lebe der systemische Wandel
New Commons for Europe
Allesandersplatz
Die Stadt als offene Partitur
Give me a gun and I will make all buildings move

Play

Building a Proposition for Future Activities

Transposition 1: Project vs. Project Days
Transposition 2: Project Days vs. Planning Competition
Transposition 3: Planning Competition vs. Jury
Transposition 7: Completion of service phase 2 vs. Project Execution
References
HCU
HOOU
Imprint
Refining the Question
On Site
Dell, Christopher, Bernd Kniess, Marko Mijatovic, und Dominique Peck. 2016. “Refining the Question with Alexander Römer.” Basics: Project Management in Urban Design. Hamburg. CC BY-SA 4.0.

In the video we see Alex Römer, one of the summer school's open-build project managers, talking to participants about this night’s take. This situation took place on the evening of the summer school’s first day just before dinner was served. Römer asks students to focus on one function in their homes and produce a minimal notation sketch. All participants at the table are asked to return to the table with their material the next morning in order to discuss potential uses and appropriations of the already partly erected support structure. This process allowed all participants to make a beginning in the projection of the summer school’s motive in take 3 “constructing a prototype for an architecture in and from within which new modes of futurity can be practiced.”

In Studio
Dell, Christopher, Bernd Kniess, Marko Mijatovic, und Dominique Peck. 2017. “Refining the Question.” Basics: Project Management in Urban Design. Hamburg. CC BY-SA 4.0.

In the video we see Alex Römer, one of the summer school's open-build project managers, talking to participants about this night’s take. This situation took place on the evening of the summer school’s first day just before dinner was served. Römer asks students to focus on one function in their homes and produce a minimal notation sketch. All participants at the table are asked to return to the table with their material the next morning in order to discuss potential uses and appropriations of the already partly erected support structure. This process allowed all participants to make a beginning in the projection of the summer school’s motive in take 3 'constructing a prototype for an architecture in and from within which new modes of futurity can be practiced'.

One could also speak of creating a motive within the motive. That means connecting one’s own subjectivity with the project’s rationalities in a mode of practice. What Alex Römer does here is implementing a minimal take into the larger take. This example shows how a take works: It is directed towards function, if not in a formal than in a structural way. The interest is not to find a form for a function, but to think about the totality of the function of dwelling and thereby initiate a subconscious appearance of a structural attractor according to the function. While Heidegger (2006) has reminded us that dwelling is a totality (Strukturganzes, Sein und Zeit, § 39) that can never be grasped as such, one nevertheless has to find modes of entering and localizing oneself in this totality in order to produce knowledge about it. That is exactly why Alex refers to the function (something we cannot see) instead of referring to a form. By concentrating more or less blindly on the affective power of function when it is freed from form, the structural aspects of the totality can be represented and analysed. One always has to keep in mind that this analysis is a structural and not a formal one. It is about a process and not a product.
This implies thinking the process as structured and thereby giving up the dichotomy of agency vs. structure. As indicated by the function, agency itself creates structure. Now we get to the central point of what we understand as project management: it means orienting oneself in an open process without closing it. This orientation is produced by the emphasis on minimal structure: the structural analysis of a situation or, as in Alex’s example, starts with minimal structural entities either as elements (chair, staircase, table) or a whole pattern or a theme (kitchen, living room, bathroom). It is important to see that the variations are created on the basis of these structures. The technique of creating variations on the basis of a minimal structure is what we call take. It is exactly through organisation that minimal structures can lead to the potentialities of action.
Actants and actors of the project’s process become devoid of structure. They draw organization out of the material that in its function is not predetermined. To think about function and to get the assemblage of heterogeneous actors and actants functioning is what is at stake. To do this in an open form is only possible with a minimal structure. Only a minimal structure can vary and at the same time relate to actors and actants in the relational field. It allows for relational practice.

Exams

What is the function of the question in relation to the motive?

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Reveal answers

The process of refining is used as a method to further articulate the motive including all data collected in the process so far. One can say that the question serves as a medium for the motive. With the question one can plug into the content field of the project's process?

References

Heidegger, Martin., 2006. Sein und Zeit. Tübingen: De Gruyter.