Project Management in Urban Design

Basics

Intro

Teaser: Basics
Theoretical-conceptual basics

Modes of Play

Coming into Play

Motive
Mobilising the brief
Lists
Processing Contingency
Coming into Play
Moving Fences

Play?

State of the art in research

How to Play

Preliminary Practice
Refining the Question
Intervene

Play

Doing

Baseline Survey
Organizing Agencies
Mini Golf

Reflecting

Importing Knowledge
Reflecting
Project Management

Recording

Making Videos
Notations

Displaying

Research Wall
Closing Ceremony

Understanding the Play

Moving beyond the question
Propositions in archives
A matter of re-assembling
Reflective Review: Begegnen

Project Closure

Project Closure

Repository

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Category: conception (15×) description (8×) manual (4×) reference (5×) synthesis (3×)
Contributors: Alexander Römer (2×) Andreas Meichner (1×) Anna Richter (3×) Anna-Sophie Seum (4×) Annika Bauer (3×) Atena Mahjoub (1×) Bernd Kniess (5×) Christopher Dell (4×) Diana Schäffer (4×) Dominique Peck (19×) Flora Fessler (2×) Franziska Dehm (1×) Johannes Schöckle (4×) Juliane Bötel (3×) Kirsten Plöhn (2×) Lena Enne (5×) Maja Momic (1×) Mareike Oberheim (4×) Marian Rudhart (3×) Marie Therese Jakoubek (1×) Marius Töpfer (1×) Milena Stoldt (1×) Negin Jahangiri (4×) Nina Manz (1×) Olena Pudova (3×) Pascal Scheffer (1×) Rebecca Wall (2×) Ronja Scholz (4×) Tomma Groth (1×) Yohanna Bund (1×)
Keywords: "Projects" (5×) action (1×) Communication (1×) Design (3×) Dokumentation (7×) Expertinnen des Alltags (1×) matters of form (3×) medium (4×) Minimal Structure (1×) notation (3×) planning (2×) problematisation (1×) Rothenburgsort (1×) stadtteilöffentlich (1×) Uncertainty (1×)

Dominique Peck has joined the Research and Teaching Programme Urban Design’s academic staff at HafenCity University in 2015. Being a UD alumni, his work has a focus on project management, design development and transposing formats in research, teaching and practice. Dominique was co-project managing the live project Building a Proposition for Future Activities and is now focused on his PhD Project Re-positioning Project Management in Urban Design.

Bernd Kniess is an architect and urban planner. Since 2008 he is Professor for Urban Design at HafenCity Universität Hamburg where he established the Master Programme Urban Design. He is interested in the negotiation of the contemporary city, whose planning principles he aims to diagrammatically describe and transfer into a relational practice as procedure.

Public space is where public life unfolds!
Stadtteilbeirat Rothenburgsort
Issues
The evening before
Exposé
Unbuilding
The Community of Deconstruction
From disciplines to disciplining
Learning from Las Vegas
Everyday Urbanism
Urban Design
Administered World
Open Form
Project Archaeology
Facilitate Uncertainty
Rules of Play
Workshop: Infrastructure
Cooperative Review Process
Project Days
Planänderung
Mediators
Conception
Interviews
Coproduction
Reflective Review
Performance
Talking Billebogen Atlas
Talking Stadteingang Elbbrücken
21. Situationen Rothenburgsort
Annäherungen an was?
Tod dem Projekt! Lang lebe der systemische Wandel
New Commons for Europe
Allesandersplatz
Die Stadt als offene Partitur
Give me a gun and I will make all buildings move

Play

Building a Proposition for Future Activities

Transposition 1: Project vs. Project Days
Transposition 2: Project Days vs. Planning Competition
Transposition 3: Planning Competition vs. Jury
Transposition 7: Completion of service phase 2 vs. Project Execution
References
HCU
HOOU
Imprint
Performance
Column A

In a round table on the methods, tools and theories of urban design, the ‘costs of performance were addressed’ (Breckner et al 2019). These are not shown in the HOAI (Honorarordnung für Architekten und Ingenieure) and the AHO guidelines (Auschuss der Verbände und Kammern der Ingenieure und Architekten für die Honorarordnung e.V.). In the process, a performance-oriented perspective is used to say much more about what the realization of projects is actually about. This knowledge about and through performance usually remains implicit and thus does not become operational for all actors involved in the co-production of the project. But what does performance mean and how does project management deal with it?

About column A

Performance assembles three characteristics of practice:
a. Mediality
b. Modality
c. Materiality and temporality

Vortrag von Dieter Mersch im Plenum I zu Relationalem Raum//Wahrnehmung//Vergegenwärtigung im Rahmen des Sypmosiums Performative Urbanism - generating and designing urban space am Samstag, 20. Juli 2013, in der Schaustelle der Pinakothek der Moderne.

a. Mediality
Actions depend on execution. Although this is a banal notion to make, it unfolds the complex and contingent aspects of performance and reveals that actions rely on media. Furthermore, actions take place with an actor as referent and this actor’s faculties (embodied skills) and normative forces. Both, media and actors need and take the performance of action – a manifestation or intervention in the world. Dieter Mersch (2013, 40) has assembled this in the argument that ‘the action is the praxis and performance is its coming into the world’.

Artist Milo Rau and Philosopher Juliane Rebentisch discuss the term ‘enactment’ and ‘re-enactment’ as artistic practice and its political capacities.

b.
The performance speaks of the how of the enactment, the performance of actions. There is no performance without its enactment. Following this assumption, the proposition is to look for an existing vector in action(s), which is specified in performance and thus produces modes of actions, which, thus again, reveals different modes of realising – giving form or design.

Documentation of a discussion held at Thomas Dane Gallery in conjunction with the exhibition ‘New York to London and Back - The Medium of Contingency’

c.
The e-learning arrangement Basics: Project Management in Urban Design focused on the doingness aspects (P L A Y) of project management. Consequently, in its sequels we focus on materiality and temporality of project management’s modes of realising. How do we (playfully) introduce modes of realising to contingency?

What is of interest for this project is the notion that all actions are related to situative contingencies. The normative forces of actions need enactments, however, every enactment is an iteration, with the possibility to fail. This renders two aspects visible: 1. The basic provisionality of actions, and 2. The embeddedness of actions in social contexts (the social as in Latour’s 2007 Re-Assembling the Social, yet with a focus on labour (Wark 2017). This ultimately reveals the transformative forces of actions. Walking the talk entails the promise of liberating actions from the necessities and the possibilities of a shift and the creation of potential structures ahead of us.

Metadata
Issue date: 08/31/2018
Entry date: 10/06/2020
Contributors: Christopher Dell Dominique Peck
Keywords: action
pdf
Related Content
  • Transposition 1: Project vs. Project Days
  • Transposition 2: Project Days vs. Planning Competition
References

Breckner, Ingrid, Christopher Dell, Alexa Färber, Bernd Kniess, Dominique Peck und Dorothea Wirwall. 2019. ‘Understanding Urban Design.’ in: Tom Paints the Fence. Re-negotiating Urban Design, ed. by Bernd Kniess, Christopher Dell, and Dominique Peck. Hamburg: Spector Books.
Latour, Bruno. 2007. Reassembling the Social: An Introduction to Actor-Network-Theory. New Ed. Oxford u.a.: Oxford University Press, USA.
Mersch, Dieter. 2015. „The ‚Power‘ of the Performative“. In Performative Urbanism: Generating and Designing Urban Space, herausgegeben von Sophie Wolfrum und Nikolai Frhr von Brandis, 39–48. Berlin: Jovis Berlin.
Wark, McKenzie. 2017. „Bruno Latour: Occupy Earth“. Versobooks.com. 5. Oktober 2017.